Summer Show 2026
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The Fiat factory in Mirafiori Sud, Turin’s southerly industrial neighbourhood, is undergoing a quiet evacuation as production is reduced and employees are periodically furloughed. Inspired by the 19th century industrial model village, which reconciled the importance of high-quality housing with the demands of industrial urbanism, Crafting Resistance converts an abandoned portion of the Fiat Mirafiori Sud plant into a live-work craft campus. The programme will allow for both university-level research and personal craft, split into live-work cottages for individual craftspeople and university workshop space making recycled-material bricks. The live-work cottages will be made of these bricks, which are imprinted with a relief inspired by the architect's own printmaking. In this project, the Arts and Crafts philosophy is enacted through a contemporary lens: offering an opportunity to return to bespoke craft as a means of reinvigorating a post-industrial landscape once defined by the production line.
The overall scheme has 7 live-work cottages, grafted onto a long, lightweight factory containing brick-fabrication workshops, a library, classrooms, lecture theatre, common room, exhibition spaces, cafeteria and bar.
Each live-work house should operate as a domestic enclave within a wider craft/industrial setting, allowing the two programmes to jut up against each other and hopefully, at points, cross-pollinate.
Sponsored by the Polytechnic of Turin and by ABILI-TiAmo Mirafiori, a local charitable project working facilitate professional training for Mirafiori residents, the project will insert a new craft industry into the vacuum left by Fiat’s retreat.
The use of masonry patternmaking in this project creates the programme in addition to the aesthetic and material form of the building, producing a façade quality unique to the development.
Inspired by the contradiction between the Arts and Crafts and the hyper-industrialism of Turin, the architect carried out a printmaking project using car design and engineering as its subject. The print later transformed into the brick relief design.